Joyce
Sutphen’s poems all have images in common with each other regardless of the
many topics she writes about. Much of
her work describes thing in detail, like most poets. But what makes her work unique is the sensory
detail: how she writes about “listen with your eyes” in her poem How to Listen. In this poem, she writes about how not to
listen with just your ears but with your eyes, to pay attention to the
situation at hand or the gratifying moment.
Otherwise you might miss it or “your whole life might depend on what you
hear.” Sutphen’s poem My Father Comes to the City describes
imagery with not just vision but as if you could feel it as well. She describes the imagery of seeing her
father’s hands not just with sight but how it would feel: “fingers thick as
ropes, nails flat and broken in the trough of endless chores.” These few words effortlessly give an image of
feeling what it would be like to do the work that he does, the “endless chores”
around his home, which is most presumably a farm because that’s where Sutphen
grew up. Her sensory imagery again pops
up again in her poem Death Inc. She writes
“high on
meth, tires screeching.” Just her choice
of words here sends a clear message of visuals and sounds: a man high behind
the wheel, tires screeching into the distance, black marks on the
pavement. All together, Sutphen’s
imagery in her poems uses all of the senses to experience what she wants her
readers to feel.
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